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The Police — King of Pain (music video)

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About this video

Delve into the poignant depths of The Police's final album with a look at a track steeped in personal turmoil.

The Song

"King of Pain" is a track from The Police's fifth and final studio album, Synchronicity, released on June 17, 1983. Written by lead singer and bassist Sting, the song is a deeply personal reflection on his recent separation from his first wife, Frances Tomelty. Sting "conjured up symbols of pain and related them to his soul," famously remarking, "A black spot on the sun struck me as being a very painful image, and I felt that was my soul up there on the sun."

Musically, "King of Pain" departs from some of the band's earlier reggae-infused rock, leaning into a more atmospheric and progressive rock aesthetic. The track begins with a stark, arpeggiated piano motif, gradually building in intensity. Stewart Copeland's drumming, featuring marimba lines and whipcrack snare hits, and Andy Summers' soaring guitar solo contribute to the song's dynamic and emotionally charged soundscape.

The Artist

The Police were a British rock band formed in London in 1977. The trio consisted of Sting (lead vocals, bass), Andy Summers (guitar), and Stewart Copeland (drums). They rose to global fame with their distinctive blend of rock, reggae, and new wave influences, becoming one of the most successful bands of the late 1970s and early 1980s.

By the time Synchronicity was recorded in late 1982 and early 1983, internal tensions within the band were significant, despite their immense popularity. The album sessions, particularly for songs like "King of Pain," were contentious, with Sting often clashing with Summers and Copeland. The band ultimately disbanded shortly after the Synchronicity tour, making the album a poignant capstone to their influential career.

Chart Performance

"King of Pain" was a significant commercial success for The Police, particularly in North America. It was released as the second single from Synchronicity in the US in August 1983, and the fourth single in the UK in January 1984.

The song peaked at an impressive No. 3 on the US Billboard Hot 100 chart in October 1983. It also spent five weeks at No. 1 on the Billboard Top Tracks chart in August 1983. In Canada, it reached No. 1 on the RPM chart in October 1983. In their home country, the UK, "King of Pain" reached No. 17 in January 1984, becoming their last UK Top 20 hit.

Cultural Impact

"King of Pain" has resonated with listeners for decades, becoming one of The Police's most recognizable and emotionally layered tracks. Its introspective and metaphor-rich lyrics, detailing emotional misery and self-acceptance, offered a unique contrast to the often more direct pop hits of the era. Music critics widely acclaimed Sting's lyrics, often citing the song as a highlight from Synchronicity.

The song's enduring appeal is evident in the numerous cover versions by diverse artists over the years, showcasing its timeless quality and adaptability. Notably, Alanis Morissette delivered a delicate acoustic interpretation for her MTV Unplugged album in 1999, and the band Mudvayne released a heavier version in 2007. Its profound exploration of human suffering has cemented its place as a classic rock song, continually discovered by new generations.

Fun Facts

  • Sting wrote "King of Pain" while staying at Goldeneye, Ian Fleming's former estate in Jamaica, a place where the James Bond author wrote his novels.
  • The unique clinky sound in the song's introduction was originally a Casio keyboard part by Sting, which Stewart Copeland then adapted and played on a xylophone to make it sound more organic.
  • While most singles from Synchronicity had official music videos, "King of Pain" initially did not have a dedicated music video for worldwide release. However, an edited version of The Police's album promo film "Studies In Synchronicity" was used as an "official" music video specifically for Australia and shown on the TV program "Countdown".
  • The lyrics use a series of powerful and bleak images from nature – a dead salmon in a waterfall, a black hat caught in a high treetop, a blind man looking for a shadow – to symbolize different forms of struggle and suffering, all connected back to Sting's personal anguish.
  • The song’s co-producer, Hugh Padgham, noted that "King of Pain" was one of several tracks on Synchronicity that underwent significant reformation and editing during the mixing stage.
  • "Weird Al" Yankovic parodied the song as "King of Suede," a monologue about a clothing store owner known for his suede garments.